|

|
AUTECHRE:
influential british techno duo who record for the warp
label. their sound is a distillation of electro funk and
hip-hop into bleak bleep-scapes.
|
|

|
FRANKIE BONES:
new york techno producer. frankie bones' "bonesbreaks"
records were important influences on the british hardcore
scene which mutated into jungle.
|
|

|
CALVIN BUSH
journalist for muzik magazine. runs own label, fifth
freedom.
|
|

|
COLDCUT (MATT BLACK/ JONATHAN
MORE)
kings of the cut-up. matt black and jonathon
moore were two of the earliest advocates of sampling and
have made some of the best sampling records: "beats and
pieces," "say kids what time is it?,"and their re-mix of
eric b. & rakim's "paid in full."
|
|

|
CARL COX:
britain's best loved dj. involved at the most important
clubs of the house boom: shoom and spectrum. allegedly was
first to use more than two decks while djing.
|
|

|
DB:
one of the leading lights of the american dance scene, db
has been responsible for introducing large numbers of
american kids to british forms of electronic dance music.
runs sm:)e records
|
|

|
TAYLOR DEUPREE:
new york producer of ultrasynthetic experimental techno
and ambient. responsible for projects such as unit park,
seti, futique, prototype 909, human mesh dance, arc, and
tiny objects in space. runs a label called 12k.
official home page: www.12k.com
|
|

|
KODWO ESHUN:
contributing writer to the wire, i-d, the face, mixmag,
and author of the book 'more brilliant than the sun'. along
with simon reynolds, the first mainstream journalist to
write about jungle and hardcore.
|
|

|
KHAN:
german born new yorker. the man behind bizz OD, 4E, cube
40. recorded for labels such as Sony, Super 8, Mille
Plateaux, Harvest/EMI, Force Inc., and Home Entertainment,
as well as his own Super 8 and Temple labels.
|
|

|
KID KOALA:
scratch dj from montreal and recent signing to ninja
tune. he has been stealing alot of the spotlight with his
tricks.
|
|

|
BILL LASWELL:
specializes in taking incompatible musical genres and fusing
them together. he was the producer of herbie hancock's
legendary "rock it" and great deconstruction disco by
material and nona hendryx.
|
|

|
TEO MACERO:
important for producing miles davis' electric period
records. by splicing up tapes of live and studio
performances, he had a huge influence on studio
practicioners who came after him.
|
|

|
MEAT BEAT MANIFESTO:
industrial/dance music a/k/a jack dangers. 1988's "radio
babylon" is a very important fusion of dub and dance
beats.
|
|

|
MOBY:
the best known american techno artist. his best record
is "thousand" which is in the guiness book of records as the
fastest song in history (1000 bpms), while "go" is his
biggest hit.
|
|

|
MONEY MARK:
|
|

|
GIORGIO MORODER:
king of the moog synthesizer. best known for his
productions with pete belotte for donna summer ("i feel
love" and "love to love you baby"), as well as the oscar
winning score for 'midnight express 'in 1978.
|
|

|
MIXMASTER MORRIS:
patron saint of ambient ("i think therefore i ambient").
records as irresistible force for rising high.
|
|

|
GENESIS P. ORRIDGE:
founding member of seminal industrial band, throbbing
gristle. when that band split up, p. orridge formed psychic
tv in 1982, and the explicit forging of politics and dance
music was groundbreaking. since then, he has explored
ambient music while living in exile in san francisco.
|
|

|
O. YUKI CONJUGATE:
more experimental ambience. records for australia's
extreme label.
|
|

|
PROTOTYPE 909:
america's favorite live techno act. with over 100 shows on
their resume and 3 full length releases.
official home page: www.12k.com
|
|

|
ROB PLAYFORD:
one of the instigators of jungle, runs the moving shadow
label. produced goldie's album.
|
|

|
STACEY PULLEN:
one of the new generation of detroit techno artists,
important for attempting to bridge house and techno.
|
|

|
ED RUSH (NO U TURN):
british junglist and one of the prime movers of the
tech-step sound: hard, brutal industrial sounds with jungle
breakbeats.
|
|

|
JESSE SAUNDERS:
|
|

|
SCANNER:
famous for sampling scanned celluar phone conversations
on his records and live sets. has lots to say about the
implications of technology.
|
|

|
SENSORBAND:
|
|

|
RONI SIZE:
junglist from bristol. "music box" and "it's a jazz
thing" are both drum 'n' bass landmarks.
|
|

|
DJ SNEAK:
king of the disco cut-up. records tracks that are minimal
enough for techno dancefloors and musical enough for house
dancefloors.
DERRICK CARTER:
one of the saviors of chicago house music and a pretty
nifty producer. records as sound patrol for organico, runs
classic label with luke solomon, makes great mix tapes.
|
|

|
SQUAREPUSHER:
ornate drum programmer who loves fusion. first came to
prominence with last year's 'feed me weird things' on
rephlex. also records as duke of harringay and under his own
name (tom jenkinson).
|
|

|
KARLHEINZ STOCKHAUSEN:
the granddaddy of electronic music. moved from serial
compositions to explorations of pure electronic frequencies
in the 50s to aleatoric compositions in the 60s and 70s.
masterpieces include 'gesang der junglinge', 'kontakte',
'telemusik', 'kurzwellen' and 'prozession'.
|
|

|
DANNY TENAGLIA:
new york house producer and dj equally adept at
screaming queen garage and hard house.
|
|

|
ALVIN TOFFLER:
futurist author and influence on detroit pioneers such
as juan atkins and derrick may.
|
|

|
DAVID TOOP:
acclaimed music journalist and one of the first to cover
hip-hop and world music seriously). isalso an experimental
musician of the highest order. used to work with brian
eno.
|